Flemish Northern Renaissance Painter, ca.1525-1569 (born c. 1525, probably Breda, duchy of Brabant ?? died Sept. 5/9, 1569, Brussels) Greatest Netherlandish painter of the 16th century. Not much is known of his early life, but in 1551 he set off for Italy, where he produced his earliest signed painting, Landscape with Christ and the Apostles at the Sea of Tiberias (c. 1553). Returning to Flanders in 1555, he achieved some fame with a series of satirical, moralizing prints in the style of Hiëronymus Bosch, commissioned by an Antwerp engraver. He is best known for his paintings of Netherlandish proverbs, seasonal landscapes, and realistic views of peasant life and folklore, but he also took a novel approach to religious subject matter, portraying biblical events in panoramic scenes, often viewed from above. He had many important patrons; most of his paintings were commissioned by collectors. In addition to many drawings and engravings, about 40 authenticated paintings from his enormous output have survived. His sons, Peter Brueghel the Younger and Jan, the Elder Brueghel (both of whom restored to the name the h their father had abandoned), and later imitators carried his style into the 18th century.  Related Paintings of BRUEGEL, Pieter the Elder :. | Winter Landscape with Skaters and Bird Trap | Peasant Wedding Feast | Details of Peasant Wedding Feast | Landscape with the Fall of Icarus | Details of Peasant Wedding Feast |
Related Artists:
Francis Sartorius
Scottish , 1734-1804
wilhelm list
Siegmund Wilhelm List (May 14, 1880 ?C August 17, 1971), was a German field marshal during World War II, and at the start of the war was based in Slovakia in command of the Fourteenth Army. List was born in Oberkirchberg near Ulm, Weerttemberg, Germany in 1880 and entered the Bavarian Army in 1898 as a cadet. In 1900 he was promoted to Lieutenant and in 1913 he joined the general staff as a Hauptmann. He served as a staff officer in World War I. After the war List stayed in the Reichswehr and most of his assignments were as an administrator. In 1927 he was promoted to Oberst, in 1930 he was promoted to General-Major and in 1932 he was promoted to General-Leutnant. In 1938 after the Anschluss of Austria he was made responsible for integrating the Bundesheer into the Wehrmacht. During 1939 List commanded the German 14th Army in the invasion of Poland. From 1939 to 1941 he commanded the German 12th Army in France and Greece. During 1941 he was Commander-in-Chief South-East. In July 1942 he was Commander-in-Chief of Army Group A on the Eastern Front in the Soviet Union.
Simone Martini
1283-1344 Italian Simone Martini Locations He was a major figure in the development of early Italian painting and greatly influenced the development of the International Gothic style. It is thought that Martini was a pupil of Duccio di Buoninsegna, the leading Sienese painter of his time. His brother-in-law was the artist Lippo Memmi. Very little documentation survives regarding Simone's life, and many attributions are debated by art historians. Simone Martini died while in the service of the Papal court at Avignon in 1344. Simone was doubtlessly apprenticed from an early age, as would have been the normal practice. Among his first documented works is the Maest?? of 1315 in the Palazzo Pubblico in Siena. A copy of the work, executed shortly thereafter by Lippo Memmi in San Gimignano, testifies to the enduring influence Simone's prototypes would have on other artists throughout the fourteenth century. Perpetuating the Sienese tradition, Simone's style contrasted with the sobriety and monumentality of Florentine art, and is noted for its soft, stylized, decorative features, sinuosity of line, and unsurpassed courtly elegance. Simone's art owes much to French manuscript illumination and ivory carving: examples of such art were brought to Siena in the fourteenth century by means of the Via Francigena, a main pilgrimage and trade route from Northern Europe to Rome. Simone's major works include the Maest?? (1315) in the Palazzo Pubblico in Siena, St Louis of Toulouse Crowning the King at the Museo di Capodimonte in Naples (1317), the S. Caterina Polyptych in Pisa (1319) and the Annunciation and two Saints at the Uffizi in Florence (1333), as well as frescoes in the Chapel of St. Martin in the lower church of the Basilica of San Francesco d'Assisi. Francis Petrarch became friend with Simone while in Avignon, and two of his sonnets make reference to a portrait of Laura de Noves he supposedly painted for the poet.